Listen to Villa-Lobos: Complete Solo Guitar Works by Frédéric Zigante on Deezer . With music streaming on Deezer you can discover more than. View credits, reviews, tracks and shop for the CD release of Villa-Lobos: Complete Guitar Music on Discogs. Find album reviews, stream songs, credits and award information for Villa-Lobos: Complete Guitar Music [ Recording] – Frédéric Zigante on AllMusic –

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Villa-Lobos: Complete Guitar Music [2010 Recording]

You need to see the whole picture here – after all, that is what Frederic Zigante is all about. Someone who takes care of other people’s problems. An interpreter’s task is to give life to emotions that are latent in the musical text not only to play them! Complete editions are Frederic Zigante’s specialty: Community Links Countries Recording Services.

I am a little bit annoyed by crossovers but I do realize that it is just a fashion that will pass without too many damages. What would be on your program for this season? But his power can be negative and he can destroy music, modify it or misinterpret it. If a perfomer has nothing to say and simply plays the music, he should stay home.

Frédéric Zigante – Wikipedia

Interpretation is a task: How would you describe the relationship with zkgante instrument? First I need a contract then I shall begin thinking about it!

People need to be educated about classical music, before they can really appreciate it. If yes, how good were you at it? I haven’t noticed any crisis. What really makes the difference is the music that is written for it.


This is what some performers do sometimes, they even cut off some parts of the works!

Villa-Lobos: Complete Guitar Music

About Our aim The team History. An interpreter has a great power in his hands because without him the work has no life and can’t be heard. How do you balance the need to to put your personal emotions into the music you play and the intentions of the composer? My father and my brother Manuel.

This is the way to discover beauty in all music, not only classical. There are still so many works to be discovered and recorded even for instruments like the guitar. This is how an interpreter and a composer can cope to “travel” together without any conflict. What or who was your biggest influence as an artist? Behind this desire for integrity hides no pathologically prolific mind, but a man who searches for profundity and who wants to use the power of interpretation to the good.

I would probably be a medical doctor or a politician. It is necessary to know exactly what the composer intended but this isn’t always possible on the only basis of the written text.

What do you tell them? The llobos part about being a musician is to often be alone and the best is to get emotion during a performance. I live between two beautiful Italian towns: In essence, his tendency for established values and the ongoing fascination for the infinite possibilities within the vjlla of a piece is not a sign of conservatism – but rather of class. You are given the position of artistic director of a concert hall.


During the next two months I will be preparing a new repertory for my CD recordings and I will be working on my critical edition of Villa-Lobos’ Etudes. Is there a crisis? What really matters is to transmit emotions and feeling.

What constitutes a good live performance in your opinion? The latter implies that Zigante eschews or may we even say “despises” the modern-day tendency to submit a Classical works to the arbitrariness of subjectivity, to change it, alter it or even leave out certain passages for more easy digestability. A good live performance requires good technical standards and acceptable contents for the audience.

False, the only thing about which people need to be educated is listening with curiosity: With a clear mind, he recognises current cross-over tendencies and hip genre-bending see his answers to our Festival-question! Just imagine what would happen if someone went to a museum and decided to change the colors on a painting: Have you ever tried playing a different instrument?

And yet, he is by no means an anachronism.

I play both baroque and classic guitar and I consider them two different instruments.