Bottesini’s Tarantella in A minor lasts anywhere between about five and six minutes – Bogulsaw Furtok is one of the fastest at 5’01, but most. Giovanni Bottesini: Tarantella in A-, for double-bass and piano – Play streams in full or download MP3 from Classical Archives (), the. Buy Bottesini: Tarantella (Double Bass & Piano) by Giovanni Bottesini (ISBN: ) from Amazon’s Book Store. Everyday low prices and free delivery.

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Tarantella (Bottesini, Giovanni) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

He studied violin with Carlo Cogliati, and probably would have continued on this instrument except for a unique turn of events. This style was previously used solely by violinists, violists and cellists.

Eventually, it was changed back to a four-string configuration and is now in the possession of a private collector in Japan. When conducting opera, Bottesini would frequently bring his double bass on stage during the intermission to play fantasies on the evening’s opera.

Biography portal Classical music portal. Bottesini bottseini widely bottesni, and his virtuosic skill in the bass paralleled that of Paganini himself on the violin.

By using hottesini site, you agree to the Terms of Use and Privacy Policy. In he made his first appearance in England, playing double bass solos at one of the Musical Union concerts.

Giovanni Bottesini 22 December — 7 Julywas an Italian Romantic composer, conductor, and a double bass virtuoso. The Testore bass was later converted back to a tarantdlla instrument, and then to a three. Bottesini died in Parma on 7 July Wikimedia Commons has media related to Giovanni Bottesini.

Giovanni Bottesini – Wikipedia

This money financed the acquisition of an instrument of Carlo Giuseppe Testoreand a globe-trotting career as “the Paganini botetsini the Double Bass” was launched. From Wikipedia, the free encyclopedia. At the conservatory, he studied with Luigi Rossi, to whom he would later dedicate his Tre grandi duetti per contrabasso. Bottesini wrote three operas besides those previously mentioned: List of compositions by Giovanni Bottesini.


Tarantella in A-, for double-bass and piano

Only two positions were available: On leaving Milan, he spent some time in America and also occupied the position of principal double-bass in the Italian opera at Havana, where he later became director. In other projects Wikimedia Commons.

It nearly met its bottesiin in the s as it sat backstage in a marionette theater in Milan. Because of the contributions of Bottesini along with those of Sperger and Dragonetti to bass technique, many bottesiji come to view the double bass as a diverse and versatile instrument.

Retrieved from ” https: The instrument was owned by several unknown bass tarantellla. This article includes a list of referencestaranfella reading or external linksbut its sources remain unclear because it lacks inline citations. After this he made frequent visits to England, and his extraordinary command of his unwieldy bottedini gained him great popularity in London and the provinces.

Bottesini was also one of the first performers to adopt the French-style bow grip for the double bass. This page was last edited on 21 Decemberat Tarantellx Learn how and when to remove this template message.

Most notably there are many virtuoso bass players who draw inspiration from the early renaissance of the double bass. Bottesini purchased the Testore in for lire. Born in Crema, Lombardyhe was taught the rudiments of music by his father, an accomplished clarinetist and composer, at a young age and had played timpani in Crema with the Teatro Sociale before the age of eleven.


His fantasies on Lucia di LammermoorI puritani and Beatrice di Tenda are virtuosic tours de force that are still popular with those who are highly accomplished on the instrument. Views Read Edit View history. Shortly before his death, in he was appointed director of Parma Conservatory on Verdi’s recommendation.

In and he conducted in Palermo, supervising the production of his opera Marion Delorme inand in bottexini Barcelona. His solo works remain standard repertoire for accomplished double bassists to this day. He also wrote The Garden of Oliveta devotional oratorio libretto by Joseph Bennettwhich was produced at the Norwich festival ineleven string quartets, a quintet for string quartet and double bass, and many works for the double bass, including two concertos for solo double bass, the Gran Duo Concertante originally for two double basses, Passione Amorosa for two double basses, and numerous pieces for double bass and piano.


He prepared a successful audition for the double bass scholarship in a matter of weeks. It was built by Carlo Antonio Testore in Please help to improve this article by introducing more precise citations.

Here his first opera, Cristoforo Colombowas produced in Bottesini’s bass was said to be a unique instrument with a remarkable sound. During these years he diversified the toils of conducting by repeated concert tours through Europe. Only four years later, a surprisingly short time by the standards of the day, he left with a prize of francs for solo playing.

His father sought a place for him in the Milan Conservatorybut due to the Bottesini family’s lack of money, Bottesini needed a scholarship.